Wednesday, November 2, 2011

Amazon Prime fires it’s next volley: Free Kindle Books with Amazon Prime to go with the already growing list of video content.

I don’t know much about this sort of thing, but it would appear that Amazon is going to become what Netflix thought they would be until they screwed with their winning formula.  Amazon wants to be your one stop shop for just about everything.  With the Kindle Fire on the horizon ready to make it’s mark, Amazon has now put itself two steps ahead of the Barnes & Noble Nook.  Besides free movies with Amazon Prime, you now can download free books.

Yes, I know you could before.  Do I look stupid?  Shut up and don’t answer that.  I’m not talking about 100  or more year old classics like Poe, Dickens, Shakespeare, or Bronte.  We’re talking books you would have to pay for or go to the library in order to read them.  Now, you don’t even have to make the trip to the library.  Add to that all the other crap Amazon sells, and the need to head out to the shopping center becomes less and less desirable.  As for myself, I have no Kindle and do not have one on order.  I am thinking about it if I can find the time to get some serious reading done.

But I’m off track.  There is a method to the madness.  Amazon is obviously wanting to make the Kindle and the Kindle fire more and more desirable.  And remember, the Kindle Fire will play Amazon movies, so if Reed Hastings thinks Amazon is going to go away anytime soon, I wouldn’t think that’s even a remote possibility at this point.  If their strategy wasn’t clear then, it sure is now.

And if the Kindle Fire sales set the world aflame with it’s low price point, then it may put a hurting on some other more expensive touch pad items out there.  You can click screen capture below to check out their initial offerings. 

Kindle Books Amazon Prime

Monday, October 31, 2011

The Hunt for Red Netflix: Amazon Prime acquires ABC/Family Channel/Disney Channel content.

I guess Netflix has a nat buzzing around Reed Hastings head.  Once again Amazon Prime shows it means to stay in the hunt and make it’s own dent in the instant streaming market.  Another announcement, and you have to wonder when Netflix will begin acknowledging the competition.

Let’s be real, here.  There has been no real threat to the Netflix streaming business model before.  Yes, there were competitors, but not one understood the power of pay one price for a buffet smorgasbord of programming.  But Amazon seems to get it.  The question is how deep will they go before they raise the price?

As more people try Amazon Prime and become accustomed to the benefits, something may have to go.  I’m not sure even Amazon can absorb the high cost of free shipping and with programming for less than $4 a month.  Unless they make up for it in sales of other merchandise as people try Prime and grow to love it.

That may be what they are hoping for though.  If they are going to challenge Netflix, now would be the time as Netflix is attempting to conquer Europe.  But is Red Hastings moving too fast and spreading himself too thin in the process?  And will the cost of the European expansion for Netflix cause them to shortchange their North American subscribers? 

The biggest draw back to Amazon right now is that their User Interface on prime needs a lot of work.  There’s no sure way to even browse the movies, let alone make you a queue.  I think something along those lines would go a long way to solidify their growth.

Time will tell.  Here’s the announcement:

ABC Amazon content


Sunday, October 30, 2011

Random Thoughts Special Edition: Prequels, Sequels, and Reboots! Oh my!!

 

For all the bitching one hears about the over abundant proliferation of sequels and super hero rip-offs that fill the screens at the Big Ass Studio 64 Screen Cinema Multiplex out by your local mall, pub, or health spa, on a daily basis, movie fans still flock to them as if they’re a wily nilly herd of Republican sheep trying to decipher the latest ranting's and ravings of Michelle Bachman because she’s too deep for their thought processes.   Yet, the same crowd will leave the film, jump on the Internet and proclaim that as far as originality is concerned, Hollywood is bankrupt. They’ve run out of ideas. It’s time to fold the tent and go home. Yeah, right.

The average movie patron, for all their bitching, gets what they ask for, what they put their good money down for, and what they buy their $15 Popcorn and $10 soft drink for. No more, no less. Hey, it’s not your billions some studio nincompoop is investing, or even your Monopoly Money they’re playing with so quit your complaining or just stay home so they can feed it to you on the TV at sixty bucks a pop.

Sequels have always been around forever and I guess they always will be. Even back in the 30’s movies had sequels. 

King Kong had a Son , even though we never were an eyewitness to him dilly dallying with a Mrs. Kong, although such a scene would have probably boosted the movie grosses by a factor of ten, and our knowledge of Simian reproduction by 20.   Still, such a plot twist would have left Ms. Fay Wray, Ms. Lange, and Ms. Naomi Watts extremely jealous, but they would have been no match for Mrs.  It would be tantamount to pitting Don Knotts up against Muhammad Ali in his prime.   The more time that has passed since the film editor spliced together the last strips of film, the more opportunities there are for some studio big wig to take another stab at it.

 

 

In Kong’s case, Dino DeLaurentiis sent him up the WTC in 1976, and in 2005 Peter Jackson finally brought fulfillment to his personal long passionate unrequited love affair with New York’s biggest citizen. In the sixties, the Japanese shipped a gangly and mangy looking Kong in for a WWE grudge Match against their very own radioactive giant Lizard Gojira, so that they could party all night long in downtown Tokyo.

But being the generous nation that we are, Hiroshima and Nagasaki not withstanding, we returned the favor by flying Godzilla into downtown Manhattan, because Roland Emmerich swore that Size Does Matter, although he wasn’t talking about his overinflated ego or budget.

It pissed rain for most of the two and a half hour running time proving once gain that size does matter when you have to cover up your not quite ready for prime time CGI Lizard with more running water than Noah saw in 40 days and nights, plenty of dark scenes, and then have Mr. Zilla dart in and out of and in between skyscrapers so you never really see him up close and personal. Talk about laying a giant egg or should I say a truckload full of giant eggs. But if you cross your fingers extremely hard and say you do believe in monsters fifty times, Godzilla may roam the planet in 3d in 2014. So get your asses busy now.

Tarzan has been swinging on a vine since the first tree sprouted up in the rain forest. And even Jane and Boy, who dropped in from the sky, hung around for quite a while with him.

The Thin Man drank enough hard liquor solving mysteries with Mrs. Thin Man to keep his most favored distillery in business for years. Now, Johnny Depp says he want’s a shot at that liquor cabinet. No word on who’s playing the dog yet.

Andy Hardy kept looking for his love life for 20 years until he finally came home in 1958 carrying a passel full of mealy mouth brats and a wife with him, apparently having found amore without us. In other words, he got screwed and we got screwed over after putting up with him all those years.

I personally want to know what ever happened to my favorite funny guy, Henry Aldrich and his pal Dizzy? Bet you don’t remember those two. They made a bunch of movies. About eight of them. Funny ones. Can’t find the movies unless I want to order from some offbeat company I never heard of. Then again, they do sound legitimate.  What have you got for me?  They’ve got the BBB thing going on and everything.  Hey, send me a few and I’ll stick an ad up for you.  You know the old saying, early to bed, early to rise, advertise, advertise, advertise.  But I guess I’ll settle for a couple of clips on YouTube for now.

Henry Aldrich seems to be available legitimately from a web site called Nostalgia Merchant. We dealt with them for VHS products back in the 80’s. Don’t know how they are now who owns it.

Bonita Granville wasn't totally clueless as Nancy Drew, the teen sleuth, through four films until she met and married Jack Wrather who had this Lone Ranger gig of his own going. They then found out that old dogs never die, they just have puppies and carry on forever. It seems you can make more money with a cross dressing collie than solving the Mystery of the The Hidden Staircase.


But have no fear, all you amateur female detectives. Nancy has been around forever and always will be. Pamela Sue Martin climbed out of The USS Poseidon to pick up the clue book in the 70’s. Recently, Emma Roberts, brought Ms. Drew back to the big screen, but a once planned sequel seems to be kaput. And then there’s another one, one I didn’t even know about until recently. All I know is that it was broadcast on the TV in the 1990’s but I don’t know where, filmed in Canada and France, starred someone named Tracy Ryan as a 20 something Drew, and this curiosity piece is now showing on Netflix. Have at it.

I will when if and I do find the time and then I’ll report back. And if watching isn’t your cup of tea, thanks to the wonders of computer gaming, you can now be Nancy Drew to your hearts content, be you male, female, young, old, or anything in between.

And look, let’s be honest, wasn’t everybody clamoring for another Indiana Jones film until there finally was one? But after all was said and done fans everywhere decided to get all pissy about it because it wasn’t what they thought it should be? Now all they do is whine, “They should have left well enough alone!” Audiences are just plain fickle, and in the case of Indiana Jones and the Kingdom of the Crystal Skull they were fickle to the tune of $786 million worldwide.

It’s the same thing with Star Wars. If people hadn’t been clamoring for sequels and prequels then maybe George would have retired with his billions instead of foisting the abysmal Haydn Christianson on us and stinking up the joint. NOOOOOOOOOOOoooooo!

Hell, I’ve wanted Willow II since 1988, but George and Ronnie can’t seem to get their act together. If Harrison Ford can put on that fedora at age 67 or so and crack his whip as Jones, then certainly Val Kilmer’s Madmartigan, at age 52, ought to be able to still swing a hefty sword with authority. So what if Ron Howard has won an Oscar since then? It won’t soil him to do just a little slumming. And one thing Ron, you should have talked your daughter out of being in that crappy M. Night Salami movie. It didn’t do squat for her career.

Theres been talk of a Goonies II, but having a bunch of middle age men dragging ass in the sewers of Seattle looking for a pirate booty doesn’t have the same appeal that it did when the journey was made by a motley group of up and coming teensters and tweensters. Then again, what kind of booty would we be talking about here?

If some of the sequels turn out bad, you pretend they don’t exist anymore and pick up wherever you damn well want to.

That’s why Superman Returned after Superman II, and numbers III and IV never really happened. It’s sort of like Pam Ewing waking up and finding Bobby in the shower after dreaming a whole television season up in Dallas for all the suckers who tuned in once a week. And Richard Pryor is no longer around to attest in the first person that there was a Super 3, although for all I know he may have been the one that wished it away.

Superman Returns to only $400 million dollars worldwide, and that wasn’t enough for the WB. No sir. Casting call. Time for the Superman reboot. New director. New Super duper. Bye bye Kate “Lois Lane” Bosworth, hello Amy "Lois Lane" Adams. Then to get everybody really confused, you take the Superman out of the title and slap the Man of Steel label on it. Crap, for all we know this could be a sequel to the 2011 October flavor of the month called “Real Steel” which is not about Superman at all. I think it has something to do with Rocky Balboa and Robots . Haven’t seen it, I’m not sure, let’s move on.

But that’s a way better fate that than being done in by what happened to poor Supergirl! Talk about a one shot deal! One movie, you’re done, and take Mommie Dearest with you, bitch. To punish you for failing, they stick you in some movie where you’re running around trying to get your kid brother’s stupid scooter back and have you cut off all your beautiful blonde hair in the process while your little friend discovers she’s a woman.



Talk about a career wipe out! But at least there was that nifty Pat Benatar song to cheer you on and regale MTV viewers across the nation for a time.

The best thing about The Legend of Billie Jean is this song. Then again, I think the movie was very underrated.



Let’s not forget the dreaded prequels. I’ve already mentioned George Lucas’s batch of bologna, but there have been others. Hell, Indiana Jones went back in time for one year to his younger self for Temple of Doom. I’m still trying to figure that one out.  He not only traveled through the time space continuum for Doomsville, he resided there  long enough to do a whole damn TV series. And he did it without a DeLorean.  I don’t think Lucas knows for sure why Indiana II  took place a year earlier than Indiana I.  I guess it fit the timeline he made up on the spur of the moment.  But at least we knew for sure Indy would survive the damn thing.

Sometimes your two heroes end up pretty much dead at the end of your hit film, thus really leaving you with a big prequel or sequel problem. The Sundance Kid aka Robert Redford and Butch Cassidy aka Paul Newman morph into William Katt and Tom Berenger for Butch and Sundance,The Early Days. Hey, I liked Katt as the hapless super duper klutz of the Greatest American Hero on the TV, and even more so as Carrie's hot date at the prom. But he is no Robert Redford. And if Paul Newman were the bright center of the universe, Tom Berenger would be the planet that it’s farthest from.

And nobody morphed better than Newman and Redford, who also reappeared in The Sting II as Jackie Gleason and Mac Davis. Either that or Newman was really chowing down in between films and Redford took some time to tune up his vocal chords for a few hit songs. 

If your super hero franchise lays a real big turd such as George Clooney's Batman did with Robin and The Governator back in 1997, you simply wait eight years, and then call your film Batman Begins, as if you were just kidding around the first time down the pike with Mr.’s Keaton , Kilmer, Clooney, O'Donnell, Nicholson, DeVito, Jones, Carrey, Schwarzenegger, Pfeiffer, Ms. Silverstone, and Ms. Thurman. You hire a director that made a film nobody understood because he goofed and ran it through the projector backwards, but  made movie critics get all misty eyed anyway. That way if he turns the caped crusader into a confused schizophrenic nit wit you can claim, “But it’s art.”

By starting all over again you also have the benefit of that new breed of internet species unavailable to you ten years ago who will proclaim your greatness from sea to shining sea. Yes, we do have the fan boys forever and ever amen.  And nothing, absolutely not one thing, will ever deter them, stand in their way, or hold them at bay through ice, wind, snow, rain, sleet, hail, or a massive power failure from coast to coast.

Absolutely none of this even remotely begins to explain why Spider-man is being sent back to relive his high school days when he hasn’t even been out of there long enough for a class reunion.   We’re starting over from square one,  becoming not just Spider-man, but The Amazing Spider-man because he wasn’t quite amazing enough to bear that adjective when he was just some damn overpriced American Colonist.  So riddle me this, why is the new Spidey better than the old Spidey, when new Spidey has to use mechanical gunk to spin his webs while old Spidey was making it natural?   Answer me that, Sony?   Screw you.

And what the hell is Sally Field going to do as Aunt May?  Give the kid a box of chocolates and yell, “Run, Spidey, Run!” 

I can see it now:

Peter Parker:  What is my destiny, mama?
Aunt May:  You’re a freakin’ spider mutant person, what the hell do you think your destiny is?

Screw you again.

Now, we get a new cup of Tassimo Tea, whereas the old Maxwell House Home Grown Coffee had yet to finish brewing to the last drop. But hey, this is Sony we’re talking about. Sony’s a corporation, and your measly 3 Spider-Man films grossing $2.5 billion (yes, billion) just isn’t enough moulah for you and your shareholders. So what do you do?

You get out your slide rule, figure out that the director and cast that helped you gather in all that loot in the first place should be kicked out the door because if they were in one of your sweat shop assembly line factories pumping out your PlayStation 3's or blu-ray players you’d do the same damn thing. Then you find some cheap replacement parts, a no-name director with no hits, an unknown obscure actor, and start dreaming of a Happy Fourth of July because the bean counters have convinced you that the movie going public is too stupid to see through your charade.

They are sure we will want to watch this low-budgeted rehashed instant replay even if your star won’t be celebrating Independence Day with us when the movie premieres because he probably doesn’t even know that his country lost the war almost 250 years ago. The worst part of it is that those bean counters are probably right. They know fan boys as well as I do and they are already beginning to wrap their arms around this imported pile of steaming sheep dung.   Me, I’ll stop in to see The Avengers, but screw your Spidey when I’m still waiting for him to join Mary Jane in holy deadlock. And I mean that. I won’t go. Period. I hate corporate b.s.

Just one thing sir, when do tickets go on sale?  Honorable number 3 son would like to know.

I could go on for days with this sequels, series, and prequels, stuff.   And I certainly may do so again if I sit down to write a review and that Drew Baylor came up with when his own dear old dad was dead as a doornail comes upon me again. You know the one. Whimsical.

Remember, none of this sequelitis rebooting rehashing recooking and refrying gets done if you don’t go. But for all your complaining about idea bankrupt Hollywood, going out to the theater will always be infinitely more entertaining than sitting in front of the tube, eating your cheeseburger, and having your brain cells killed off one at a time by Dancing with the Stars, The Bachelor, X-Factor, So You Thought You Could Dance, Dummass, America Ain’t Got No Talent, and American Idol. I’m proof of that. Two years of writing about Idol several years ago, and I’m still in recovery. But the doctor’s say there is hope for me. You on the other hand, maybe not. You have to read this crap. Now I do have a movie review to write.

Sunday, October 23, 2011

Clyde’s Movie Palace: The Hills Have Eyes II (2007)

The Hills Have Eyes II (2007)
starring
Cécile Breccia
Michael Bailey Smith
Archie Kao
Jay Acovone
Jeff Kober
Philip Pavel
David Reynolds
Tyrell Kemlo
Lee Thompson Young
Daniella Alonso


Directed by
Martin Weisz

 

When I first saw the list of worst reviewed movies for the first half of the year at Rotten Tomatoes, I kind of scratched my head in puzzlement. After watching The Hills Have Eyes II, I couldn’t figure out how they missed that one especially since it turns out that it only had an 11 percent critics rating. This was a full five percentage points lower than their number ten movie, Hannibal Rising. It seems Hannibal Lector just can’t get the respect that he once had when Anthony Hopkins is no where to be found.

So I took it upon myself to find out how that could be and after revisiting the site I found out why:

The list encompasses movies from January to June with 50 reviews or more; the rankings are based on a weighted calculation that factors in the Tomato meter and the number of reviews.

Hills II had 53 reviews so it made that criteria with room to spare. So the fact that it didn’t make the list has to be because of that “weighted calculation” doo hickey. You just have to love these sites with these top secret weighted calculations and ratings formulas that even Einstein couldn’t figure out.

Have you ever tried to figure out the IMDB rating system? No, it’s not just based on how many stars people give it. There’s about fifty other factors involved before they post the ratings on a film. In other words if you write a lot of reviews and rate a lot of films I guess your vote carries more weight than just the average schmuck who happens along. Then there’s the never seen, ghostly inhabitants of IMDB known as the 1000 top users. It seems they have more clout than anybody in the world.

I used to rate a lot of movies at the IMDB at one time, until I realized two things:

1. It was taking too much of my time for little or no purpose and
2. There’s been way too many films that I haven’t seen in years so it’s difficult to say how I would view them now. Some movies improve with age, some don’t hold up well, some will always be great but some will also always be shit.

For instance, Brokeback Mountain has an overall rating of about 7.8. With a healthy 44 percent of respondents rating it a ten you would think it would be even better than that and probably in the top 250 films. But as you go down the list you’ll see a rating of only 6.1 from the top 1000 users who actually hold the ratings pie in their hands. It is by far the lowest on the scale of all others who rated it which would lead me to believe that there may be quite a few of these “top users” whose homophobia encouraged them to stick a big fat one vote on it. Especially since that list is obviously male dominated.  Which also goes back to the real reason the film failed to garner the much deserved best picture award.

But that’s a discussion for another day. Getting back to The Hills Have Eyes II and Rotten Tomatoes, there’s another very important reason why Hills II may have been kept off of that ten worst list. The DVD was released this week, the very same week that this list appeared on the web site. Hills II was released by Fox Searchlight and Rotten Tomatoes is owned by Fox Interactive. Do you get the connection? (Clyde note:  At the time of the original writing that was true.  It was then sold by Rupert Murdoch to Flixter for a minority stake.  Flixter has now sold itself to Warner Brothers who can now manipulate to their hearts content)

The point I’m trying to make is that ratings are very subjective, and more often than not pretty useless and even more so when some nameless entities begin using “weighted” and “secret formulas” to make adjustments to steer the ratings in any direction they seem fit. Yeah, yeah, I know, you thought this was a movie review so why don’t I get on with it already.

In my review of the first Hills Movie, you know it wasn’t actually the first Hills film because it was a remake. You may recall that I didn’t look too kindly upon it. My grade for it was in the D range.  And of course, here we are many months later with that sequel getting a DVD release after a quick but brief run at your local multiplex.

Still, there was always the chance that Hills II could be better than the original mess of a film that spawned its creation. There have been a few times over the years when a sequel has actually been better than the first go round, although usually the original at least gives you some something to work with.

But despite the fact that Hills II only had a mound of cow droppings to create its sculpture from, maybe it could do better just starting from scratch. No, it could not. But look at the bright side of things. At least there was no way that Hills II could possibly sully the reputation of Hills I because you can’t make crap smell any worse than it already is. At least you wouldn’t have thought so until now.

When last we saw our radioactively deranged mutants in the deserts of New Mexico, they had just finished having lunch with the Carter Family, uh I mean making a lunch out of the Carter Family. Poor Mama Carter, Papa Carter, and daughter Linn didn’t quite make it through to the end credits, but two teenagers, a son-in-law, and an infant did. So in essence the Carters batted a very nifty 57 per cent against the Mutant Home Team. Now that was an average that any family could be proud of for one of these types of movies, so let’s have a round of applause for the Carter Family!   Yayyyy!

Whereas Hills I opened by pretty much letting us know the whys, hows, and wherefores of mutant existence in the desert, Hill II opens by giving us a quick painful lecture in Biology, also known as Mutant Reproduction 101.

The film begins with a very bloodied woman tied to a bed, screaming her lungs out as she is about to give birth. The woman is obviously not a mutant, and has been laying around and tied up for quite a while. We know this is true because the camera makes a point of letting us see her extraordinary long toe nails and finger nails. So after a lot of blood, insides squishing, bones cracking, and more screaming, the mutant doctor in chief, Dr. McScreamy, pulls the kid out then promptly finishes off the mother. We are not told who or what is going to breast feed the mutant half breed baby, nor are we told whether or not he will be accepted by the entire mutant society since he is only a half and half kid. But that doesn’t matter because the movie isn’t out to make any relevant social commentary regarding misfit mutants even if Cher is singing in the background:

Half-breed, that's all I ever heard
Half-breed, how I learned to hate the word
Half-breed, she's no good they warned
Both sides were against me since the day I was born

Okay, I made all of that Cher stuff up but you have to find fun anyway that you can when you’re watching this stuff. After being used to shock us as much as possible in the opening scene, we never hear from semi-mutant baby again and can only surmise that its mother became the entrée at the evening dinner table.

Score: Mutants 1, Humans 0

So, who is writer Wes Craven going to send out to the desert to be the next smorgasbord? After some quick on screen text reminds us about the fate of the Carter family, we are told that upon the return of the remaining family members, the Army conducted a thorough search and destroy mission in and around Sector 16. Recently, “for undisclosed reasons” electronic monitoring was ordered installed. It was nearly installed when…whoops, beware when there are those dot dot dots at the end of the text in a movie. It means there’s trouble afoot.

We quickly meet these government installers as they do their installing but don’t get too attached. In fact, it is wise to not get too attached to any of the actors sent down from the casting call to be mutant fodder for these films. It’s a guarantee that none of them will be around long enough for you to care. Not that you would want to anyway because the only reason you’re watching a film like this in the first place is so that you can keep track of the body count as it starts to mount.



So after a quick sequence involving three government electronic whiz kids and their one guard, the Mutants quickly add to their kill making the score 5 – 0 with the mutants pitching a shutout. But then again, you also never know how long somebody is going to stay dead in these movies because when you’re on a tight budget you like to have the luxury of killing off some of the cast two or three times. So it is always possible that you may have to temporarily deduct points from the mutant’s side of the ledger so keep those pencils and erasers handy.

This brings us to the answer of our above question about tonight’s main course. Will the Gomer Pyle Army Reserve National Guard Brigade please come on down! Yes, with most of the reserves already over in Iraq shooting real bullets, the Army has no choice but to send the biggest group of incompetent misfits they can find. We know they are incompetent because when we are introduced to the Gomer Pyle Brigade (my term by the way, not theirs) they are playing war type army shoot-em up games. And when one game is finished, they have managed not only to kill seventeen civilians but managed to get themselves pretend killed by a pretend suicide bomber carrying pretend grenades as well. You can hear mutants in deserts everywhere laughing their ass off.

Here are the names of our Seven Private Pyles: Johnson (Jessica Stroup), Medina (Jacob Vargas), Napoli (Michael McMillan), Stump (Ben Crowley),  Mickey (Reshad Strik), Missy (Daniella Alonzo),  Delmar (Lee Thompson Young), and their own version of Sergeant Carter, Sgt. Jeffrey Millstone (Flex Alexander). I’m only telling you this so that you can start chiseling their tombstones right now and get ahead of the game. This bunch can’t even make it out to Sector 16 without getting into a fight with one another. And of course you know that once the Gomer Pyle brigade does arrive, none of their radio communicators are going to work because the Klingons have set up a radio wave dissolving shield around the earth knocking out all earthy radio transmissions for the duration of the movie. Well, at least above Sector 16 they have.

After arriving out in no man’s land, they find it deserted at first, but Pyle Platoon does see someone signaling from a cliff with a mirror at the same time that they receive a garbled but inaudible radio transmission. Sergeant Carter decides to leave behind Johnson and Napoleon while the rest of the squad goes on to check out the mysterious flashing mirror signal. At this point you know what is going to happen next.

If you were hoping as I was that Johnson would strip and sunbathe, or that her and Napoleon would find a private tent somewhere to take the edge off for a change of pace, you can forget it. Nudity and Sex just for fun have no place in this R rated bloodbath. Did you think this was Camp Crystal Lake where you get to screw before Jason comes along to chop off your wing wang?



Instead Johnson and Napoleon are given a present. No, I can’t tell you exactly what it is except to say that Napoleon finds it and mistakes it for a Flintstone Automatic Butt Wiper. But Stone Age warranties being what they are, the Flintstone Butt Wiper quickly goes on the fritz. Okay, you talked me into it. Just look at the picture and put two and two together. I’d have rather had the sex scene though.

To make matters worse, while Johnson and Napoleon are busy with the Butt Wiper, one of the mutant takes the opportunity to blow up their only means of transportation. This happens at 28 minutes 35 seconds into the film, so if you have that number in your “when will their only means of transportation be blown up” lottery pool, you are the lucky winner. Go and collect your grand prize. And if you predicted that the mutants would steal Johnson’s and Napoleon’s guns while they are busy with the truck fire and the Flintstone Butt Wiper, you can pick up your runner up prize. Just call Wes Craven at 555 – 1313.

By now you should be able to write the rest of the script. Due to the general incompetence of the Gomer Pyle Brigade, they begin getting picked off one by one. Kiss anybody goodbye who hasn’t had anymore than about three or four minutes of their own screen time. You also know that eventually they will have no choice but to get their act together and begin working as a unit if any of them are going to have a chance to party on with the Carter Family Mutant Leftovers.

At some point it is explained to us that the mutants need to use the females for breeding purposes so that they cannot only keep from dying out but also so that they will have a chance to proliferate. And where does this information come from? Just keep in mind what I told you about keeping track of the body count. Keep those erasers handy.

The reason this explanation is offered is twofold. It explains the lengthy bloody and painful childbirth scene at the beginning of the film for those of you still in kindergarten who couldn’t figure that out in the first place. And the other reason we are told this is so that you can begin looking forward to the long and excruciating rape of one of our two lady privates courtesy of one of the mutants. You had also better keep in mind that if you like doing a little tongue twisting at home with your mate; you may never be able to do so again without thinking of this film. Don’t say you weren’t warned. And to add to the misery, the mutants don’t whisper words of love, but instead it’s simply “Give Me Baby.” Yeah, I kind of knew from the start these mutants were a bunch of right wing fanatics. Don’t make love, make babies.

It also certainly doesn’t take a genius to know that the reason Martinez keeps pulling her cell phone out to watch a video of her kid is so that it will play a part one way or another later in the film. Doesn’t it always?

You can easily predict what’s going to happen in any of these films before your buttocks have a chance to warm your recliner seat. Despite that, it is always possible that the directors and writers might drum up some suspense if they can make you care about who is going to be tonight’s Mutant Dinner Special. Failing that, at least maybe they can tweak the plot somewhat to change things up a little bit making it all a tad less predictable. None of that happens here. As a matter of fact they make things so predictable that they even borrow a plot device used in the first film to help the Pyle brigade.

So unless you’re really curious about the gore effects, or you have a sick mind and really enjoy lengthy rape and painful child birth scenes, or just want to completely see how much ridicule you can heap on it with your friends, there is nothing here for you. We really care no more about the Gomer Pyle Brigade than we did about the very annoying Carter Family in round one. The only thing I could think of is if there was a whole platoon of George W. Bush’s from his National Guard Days, then the incompetent Gomer Pyle Brigade would probably be that platoon.

Let’s not forget that the Rotten Tomatoes survey actually gave Hills I a very hefty fifty percent approval rating. So maybe you did like that film and are looking for more of whatever it was that attracted you to it.

I do hope you find it. As for me, I really couldn’t find anything here to enable me to recommend the movie to anyone just as I couldn’t a year ago. At least the first film did have some intensity to help relieve the boredom and predictability. So what else can I do?

PYLE PLATOON! FALL IN AND PICK UP YOUR AWARD YOU BUNCH OF MAGGOTS!

Saturday, October 22, 2011

Clyde’s Movie Palace: The Hills Have Eyes (2006)




Michael Bailey Smith
Tom Bower
Aaron Stanford
Kathleen Quinlan
Vinessa Shaw
Directed by Alexandre Aja

Back in the fifties and sixties a good percentage of the prehistoric animals, mutants, gargantuan insects, giant colossal men and zombies that inhabited the movie theaters were brought to you courtesy of some healthy doses of radiation. In those days, we were continuously setting off nuclear warheads in the Nevada Desert so that we could be absolutely positively sure that our nuclear weapons would obliterate everything in their path just like they were supposed to. Those that weren’t tested were spit polished, shine and set on top of the nearest nuclear missile, you know, just in case. I’m not sure why or when we finally decided not to test any more nuclear weapons above ground, but I think maybe President Kennedy and Premier Khrushchev watched a joint screening of The Giant Gila Monster along with  Beginning of the End and it scared the hell out of them. I’m not sure if it actually made the world much safer, but it did mean that the writers of horror films would have to come up with some other scientific explanation to explain away their mutant creatures out to feast on mankind.

For a while they turned to chemical waste products and that seemed to do the trick. Chemical waste in the water supply, in the sewers, being poured into the ground or leaking out of a barrel on the back of a pickup truck always seemed to do the trick. We were soon treated with mutants, walking dead, and Teenage Mutant Ninja Turtles, all cause by glowing green neon chemical waste products. Every once in a while they would bring the old radiation poisoning bugaboo back to science fictions as Roland Emmerich did with Godzilla, but I’m not sure if that counts because it was a remake and you don’t mess around with the origins of a classic Japanese Lizardsaurus . So you’re probably asking by now what all of this has to do with The Hills Have Eyes. Think of it this way, you’re getting a movie review, a history lesson, and a film history lesson for the low low price of just one mouse click, so quit your damn complaining.


Leave it to Wes Craven though, to decide to improve on one of his old films by producing a remake of his 1977 film, The Hills Have Eyes. This time around he hired Alexandre Aja to not only adapt Craven’s old screenplay, but to direct it as well. All Craven had to do was sit and count the money.


While the opening credits of Hills are being splashed up on the screen, we get picture after picture after picture of nuclear explosions followed by huge mushroom clouds taking place during the age of nuclear testing in the New Mexico Desert. Along with that we get glimpses of paper clippings from the newspapers telling us about a few hundred missing tourists. I always wonder about these missing tourists. I guess the search and rescue department of New Mexico is every bit as lame as the one in West Virginia. They too had a rash of unexplained tourists that disappeared in the almost heaven state in the film Wrong Turn. I thought I had walked into a screening of that film for a moment instead of this one.

“Now wait a minute,” you’re telling yourself, “didn’t you just say a couple of paragraphs ago that the nuclear tests took place in the Nevada Desert, not New Mexico?” Yep, that’s what I said alright. In fact, there was only one nuclear test in the state of New Mexico, that being the first nuclear test ever. The rest that took place in the Continental U.S. took place in Nevada. However, filmmakers being what they are, they’ve never been known to let little things like history and geography deter them, especially when they’re making a film that nobody’s going to remember a month after having seen it until AMC or some other  lame horror network drags it out for their annual Halloween crapfest.

A Look at the makeup effects for The Hills Have Eyes.


Interspersed with the shots of nuclear explosions, we also get some pictures of deformed humans, just so we know for sure that radiation can still screw you up like nobody’s business. We’re also given the hint that some inhabitants of the New Mexico Desert, didn’t exactly clear out when they had the chance because becoming a mutant in the desert was more preferable than taking an extended vacation in Albuquerque. So by the time the credits have ended, you know precisely what the film is about, and that Craven and Aja come from the school of filmmakers that believe you shouldn’t be bothered with letting the screenplay fill you in on the details.


When the film finally does get underway, it opens at a dirty filthy run down gas station that appears to have been abandoned out in the middle of nowhere with gas pumps that look as if the last car that filled up was an Edsel. If you’ve been to enough of these films you already know the routine though. The gas station is actually in full working order, and the guy who runs it will be the same creepy, rotted teeth, unshaven, ghoul (Tom Bower) who hasn’t bathed since 1977. You also know that within seconds, the unsuspecting Brady Bunch Family will pull up to get gas because they decided to take a detour into the middle of no man’s land. I guess they preferred the New Mexico desert instead of a quick trip to Disneyland.

For our purposes, the Brady Bunch consists of Papa Bob Carter (Ted Levine), Mama Ethel Carter (Kathleen Quinlan), daughter Lynn (Vinessa Shaw), her husband Doug (Aaron Stanford), their infant, and the Carter’s other two teenage kids Bobby (Dan Byrd) and Brenda (Emilie de Ravin).

Papa Bob is an ex-police chief and staunch NRA carrying member of the Repugnican Party who intends to open his own detective business as soon as he’s finished collecting Gila Monsters and cactus out in the desert. As if trying to fend off radiated mutants weren’t going to be enough, son-in-law Doug just has to be a wimpy Democrat in order to make the film politically relevant, and so that Douggie can later discover his Repugnican Manhood and then join the National Rifle Association.

We also know that besides the greasy guy at the gas station there are other inhabitants lurking around while Papa Bob is filling up. We see them hiding in the shadows, taking a sweater out of the car, and running by the outhouse when Bobby Jr. is taking a leak. And to make sure we don’t miss them, Director Aja has the sound editor crank the volume up a couple of decibels just so we’re sure that they’re there.

It  goes without saying that the Greasy Gas Station Owner is going to tell Repugnican Bob about a shortcut,  that he is going to take it, and that they are going to break down and be stranded for the rest of the movie. Of course, just as if you were in  in the mountains of West Virginia in Wrong Turn, there is no signals for your cell phone to latch onto out in the desert either.

It’s not long before Repugnican Bob decides to hike back to the creepy gas station while Democrat Doug heads in the other direction for his own date with the Dalai Llama, and son Bobby Jr. goes chasing after his pet dogs that ran off because having hung around with the Carters for a while, these canines decided that making a run for Santa Fe was preferable to being stuck in the desert with Ward and June Cleaver.


Don’t worry though, because Director Aja is not in any hurry to have his movie get from point A to point B too quickly. We get a long scene of Democrat Doug trekking through the desert where after what seems like a year and a half he comes across a passel full of vehicles from all the missing tourists we saw in the newspaper clippings during the credits. But is Democrat Doug awed by this site? Does he think it’s a little weird for all these recreational vehicles to be abandoned in a giant crater? Nope, he just grabs a fishing pole and heads back to the trailer in order that it can be used as a prop later in the film. So besides being pacifist Democrat Doug, he is now stupid pacifist Democrat Doug.

Eventually you know that all hell is going to break lose. Repugnican Bob makes a return trip to the stranded camper, but not in the way he would have liked to. Marshmallow, anyone?

The mutant ninja people begin raping, pillaging, blasting away and eating the heads off of parakeets. They also decide to kidnap Democrat Doug and his wife Lynn’s infant, forcing Doug to forget his peace loving ways in order to save his child before the baby becomes the Grand Slam Breakfast at the local Denny’s.

When the film finally does get going, it is extremely violent, vicious, savage, and unrelenting. Yes, that will unnerve you a bit, but you could add this type of brutality to any film and it would make you squirm. However, the plot holes are enormous and there is never any real suspense. How can there be when the filmmakers decide to hit you over the head with too many details before we even get to the Directed by sign, and then can’t come up with anything cleverer than the creepy guy at the gas station that seems to be airlifted from one horror film to another to open the film with. Granted this is a remake, but if you’re going to remake a film, any film, it might behoove you to try and do something original. It doesn’t help any that before the mayhem even commences, we are treated to so much obnoxious behavior by the Carter family, we almost root for the mutants to do away with them as quickly as possible.


 

I suppose you could say that Democrat Doug’s conversion from pacifist to someone who when pushed to the limit will take what ever violent steps are necessary to redeem himself, delude himself, stupidfy himself, and become hard core Repugnicon-man, is some kind of morality lesson. But it’s a lesson that’s been given many times and in a far more believable film than this tripe. One need look no further than Sam Peckinpaugh’s excellent Straw Dog’s for that tale, and I hope that wherever Sam is, he will forgive me for mentioning his name in a review of a clunker such as this.

Still, I’ll let the film get by with a D+  just because of its intensity at times, but unfortunately with Craven standing over his shoulder, hoping they can have a Hills Have Eyes II (would that be a remake of the original Hills Have Eyes II which was a sequel to the original Hills Have Eyes?), Aja felt it necessary to tack on the obligatory sequel setting ending in the very last two seconds of the film.  So I can’t help myself but to  lower your already dismal score to the precipice of total failure with a hearty D-, and only because I have to have somewhere to go with your inevitable sequel.