Thursday, May 16, 2013

How I Met Your Mother: “One Ticket to Farhampton, Please” Wrapping up Season 8 of How I Met Your Mother.



How do you feel about the Season 8 Finale of How I Met Your Mother. I wrote somewhere a few days back that if there wasn't at least a glimpse of Ted's future wife, I would be very disappointed.   I am not disappointed.  I am as far away from disappointment as one can be.

It had become obvious over the past week or so in the show previews and in the episodes leading up to the finale that Barney and Robin's wedding wasn't going to happen this season. It also meant that HIMYM was going to be deviating from their usual timeline.  This also meant that we would not witness Ted Mosby (Josh Radnor), meet the girl of his dreams this season. 

I have to admit that when I finally realized it wasn’t going to happen  I was disappointed.  If they delay the event out until the very end of Season 9, you’ll undoubtedly be on here reading about how pissed I am.  But I don’t think that’ going to happen.  Let’s hope not.  For now, all is well.

For the most part, much of Season 8 has been kind of just so-so cakes for me and didn’t really begin to find it’s way until The Time Travelers episode.  As I wrote several weeks ago, it was the first solid hint we just might meet the mysterious girl with the yellow umbrella.  Every story line since the end of that episode has been a set up for Something New.

As you’ll recall, in Romeward Bound, Lily was offered a job by The Captain to work for him in Rome for a year as an art advisor.  The Bro Mitzvah was Barney’s bachelor party which could be viewed as a throw away episode by some but not by me.   I’ll explain that momentarily.

In Something Old, Robin (Colby Smulders) was looking for a locket that she had buried in Central Park and Ted blew off an interview to help her search.  And by the end, it was obvious that Ted still hadn’t come to grips with the fact that his best friend was marrying a girl he still had strong feelings for. 

In the finale, all the plot points that happened in those episodes collided. 

When Lily (Alyson Hannigan) and Marshall (Jason Segal) had decided to move to Rome for a year, I surmised that before the season was over Marshall would be offered a judgeship.   He had interviewed it at the end of Episode 8, Twelve Horny Women.  Many times over the past 8 seasons, little incidents that happened at the end of certain episodes more often then not play a significant part in the season finale. Now the question is will Lily and Marshall go to Rome or will they stay in New York?  Or will Lily go to Rome while Marshall stays in New York and his mother comes to look after Marvin?  That’s a possibility, although I wouldn’t think that compromise is one that would last very long.

I have never felt that Barney and Robin could ever build a lasting relationship despite their impending marriage.  I’m not sure Barney can build a long term partnership with any woman.  But in the Bro Mitzvah, it became apparent that maybe Barney was right.  That Ted really doesn’t know Robin as well as he thinks he does.  I think Ted is so desirous of finding the right someone that he often sees Robin through rose colored glasses.   By that I mean, he see her the way he wants Robin to be, not the way she really is. 

It was Robin’s idea for the whole devious plan of making Barney’s bachelor party a complete disaster.   In Something New, the scenes between Barney and Robin trying to one up another couple, was the first time that I ever felt that this odd couple really might belong together. 


Consider this.  When Ted said that he would do anything to make Robin happy, that may be true.  Didn’t he blow off an important interview just to help her look for that locket? 

But let’s not confuse the willingness to always be there to do whatever you can to help someone you care about as being the same thing as knowing everything about that person or loving that person or even being compatible with that person.  Ted and Robin realized this years ago, in Season Three and although he now seems to regret it, it was probably the right choice for both of them.  But Robin was Ted’s first real love, and since each of his relationships since Robin have been disastrous, he’s trying desperately to recapture something that is undoubtedly gone forever.  But don’t blame Ted entirely.  Hasn’t Robin at times hinted that she was in love with Ted as well and when moments such as the one that took place in the park at the end of last week’s episode, Something Old, take place and she does little to discourage him?  The timing of these two has always been abysmal.

But I’ll go out on a limb and say that I don’t think Barney and Robin’s marriage will last if it does take place.  Despite their seeming compatibility they are also very much “me” type of people.   Everything is always more about themselves than what they can give each other.  Again we saw this last week when Barney continued to play laser tag and tuned himself out completely from Robin’s immediate needs.  And frankly, manipulation and practical jokes doe not exactly scream at me that either person will be there for the other during tough times.   And with marriage, there is always tough times ahead.  Barney is just too self-centered for a lasting relationship. 

So we didn’t get to the wedding, but how did I feel about the episode as a whole?  I loved it.  Each and every second of it.  Producers/Creators/Writers Carter Bays and Craig Thomas simply outdid themselves.  I can find absolutely not one thing wrong with the finale.  In fact, it ranks up there at the top as far as season finales I’ve seen of any series.

It is easily the best finale this show has ever had, even topping last year’s wedding surprise.   From the moment Ted said “I guess I’ll take the train” and we were instantly transported to the train station and “Farhampton” was spelled out on the departure/arrival board, I began to get chills down my spine.  As we saw the young girl’s boots traveling across the train station depot, you just knew this was going to be different.  And it was.

And in those brief seconds that she appeared on camera, you knew instantly that yes, this is the kind of girl Ted would want to live his life with.  And checking the internet and checking out other videos of actress Cristin Milioti, Carter/Bays may have pulled off one helluva casting coup for the 9th and final season.  Why don’t we just skip the summer and head right into September? 

Looking ahead, there are so many questions yet to be answered.  How will Lily/Marshall resolve the Rome/Judgeship dilemma.  It’s obvious Lily really wants to go to Rome.  But if Marshall doesn’t accept the judgeship, there’s a distinct possibility he may not get another chance.  And then again, maybe he will.   My prediction:  Look for Lily to find out at the last minute about Marshall’s job offer, but it won’t be from Marshall. 



We already know that Robin and Barney get cold feet on their wedding day.  Will they ever make it to the alter?  That’s a pretty big question still left unanswered.  It could go either way.  And will it be Ted playing the part of spoiler by giving the locket to Robin?   I’ll make my prediction with the caveat that I don’t feel very strongly about it but it’s what I came up with.. 

In order to get them down the altar, Ted will do what Ted always does and make a sacrifice.  He will either give the locket to Robin and tell her that it was Barney who helped locate it, or he will just give it to Barney to give to her.  So I guess they’ll tie the knot, but don’t be surprised if it doesn’t happen.

And will just meeting this girl stop Ted’s trip to Chicago?  I don’t know.  It’s still possible he could leave and come back quickly. 

 

Another unanswered question is that in the episode “Farhampton” that started season eight, we see Ted at the train depot with an injured hand.  Some of the speculation is that he gives the locket to Robin and then gets in a fight with Ted.  The best foreshadowing of this event came in an episode when Ted tried to give advice to Barney regarding Robin, and Barney flat out told him that he might not know Robin as well as he thinks he does.  Maybe he grows tired of Ted’s inability to move on.  All this is a possibility but I’m not buying into it.



There’s a lot to look forward to in Season 9.  The only way it could be mucked up is if Carter/Bays uses the 56 hours before the wedding and stretches it into weeks and weeks till seasons end.  I hope they put that rumor to rest real quick.

I would hope that once Ted and the mother finally meet, that we get to be with them as their relationship grows and is resolved to its inevitable conclusion to end the series with perhaps a flash forward to the future to fill us quickly in on what happened in the ensuing years.  I mean, just because he meets the mother doesn’t mean the path to lifelong happiness with her will be an easy one.   Reading some prognostications elsewhere, has everybody already forgotten that The Mother already has a live in boyfriend?   See there.  With this show, small details are always important.

What I read on one site is that they may just go back and begin telling the story from the mother’s viewpoint.  I think that would be a huge mistake and at this stage very unnecessary.  But the foundation has been laid for what could turn out to be one of the greatest final seasons of any series.  The rest is up to Carter and Bays.  Is it September yet?   

  

Monday, May 13, 2013

Meet The Mother: Cristin Milioti


CBS has confirmed that the actress shown in tonight’s episode is indeed the mother of “How I Met Your Mother.”  I’ll be writing more about this later (much more).  Congratulations to all involved for doing a great job of keeping it a secret.

From The Hollywood Reporter:

Identified only as "The Girl with the Yellow Umbrella," the actress playing the mother and set to figure prominently in the series' final season in Cristin Milioti. Speculation about who would be cast in the role has come up with nearly every female guest star to join the series -- though this is a first appearance for Milioti.

Red herrings have been par for the course since the series first started teasing the big mystery, but a CBS rep confirms to The Hollywood Reporter that Milioti is indeed the actress playing the future bride of Ted (Josh Radnor). No other details about her addition were available at the time.

Milioti is likely best known for her Tony-nominated performance in the stage production of Once, though her TV credits are many. She recurred as Johnny Sack's daughter Catherine on The Sopranos and became a top Google search in 2011 when she played a foil to Tina Fey's Liz Lemon in the 30 Rock episode, "TGS Hates Girls."

And while How I Met Your Mother may have introduced Milioti's character at the tail-end of the episode, at the conclusion of a montage showing the series' core five cast members en route to Barney (Neil Patrick Harris) and Robin's (Cobie Smulders) wedding, the show held of on introducing her to anyone more than the audience. Milioti and Radnor shared no scene in the episode.

Co-creators and executive producers Craig Thomas and Carter Bays have previously confirmed that official meeting of Ted and The Girl With the Yellow Umbrella will take place after the wedding, as the season eight premiere teased.

The Mother

Box Office Report 5-12-2013: Gatsby Overcomes Prognosticators Predictions of Doom & Gloom. Ironman? Do you even have to ask?


From Rope of Silicon:


For some reason I think Mamma Mia is a more predictive film, it opened around $28 million back in 2008. The lowest possible number for The Great Gatsby is something like Romeo + Juliet's $16 million opening (adjusted for inflation). The highest number is in the upper $40s, mostly due to sheer marketing might. I enjoyed the film, but it's certainly long, and it's tough to think it will spark male ticket-buying interest, especially with Iron Man 3 and Pain & Gain still on the board.
My Gatsby prediction lands at $35 million against the $40 million tracking number. Care to dream higher?

From Forbes:

Iron Man 3 isn’t remotely terrible and The Great Gatsby isn’t traditional counter-programming.  Yes it’s a literary period piece drama in a summer of fantasy adventures, but it’s also a $120 million 3D spectacle.   Correlation isn’t causation,  but history is not on the side of Baz Luhrmann’s latest adaptation. Obviously the film may very well under-perform in the states only to flourish overseas. But purely from a domestic point of view, it seems beyond odd that Warner Bros. seems to keep tempting fate by attempting to open expensive summer movies during a period where audiences have rejected their pictures in favor of the summer kick-off film again and again. If the pattern holds, The Great Gatsby is doomed.

From Daniel’s Film Reviews:




The main appeal for the young’ns, I think, is Leo DiCaprio.  DiCaprio’s movies have an average opening of $22.28M, and the rest of the cast includes Tobey Maguire, Carey Mulligan, Isla Fisher and Joel Edgerton; and it is directed by a man of style, Baz Luhrmann. The 3D might also help the movie make a little extra money. Similar movies open to an average $23.14 million. This hardly stands a chance at beating Iron Man 3 this weekend, but I expect a healthy opening between Robin Hood‘s $36.06M opening and Shutter Island’s $41.06M, so I’ll go with $39,198,750.
From Yahoo Movies:


When Baz Luhrmann announced that he would helm "The Great Gatsby," with Leonardo DiCaprio playing the title character, it was a buckle-your-seat-belt moment in movie history. Could the Australian director of "Moulin Rouge" finally pull off the literary adaptation of F. Scott Fitzgerald's classic about the American dream, a vision that has eluded so many before him?
Well, after much delay, fanfare, and cross-promotion, it appears that Luhrmann's $104.5 million 3-D adaptation is in serious trouble. Here are the 10 reasons why we think "The Great Gatsby" may be the summer's first great disappointment.

I just love it when all the soothsayers are so so wrong, and with these predictions they didn't really come close.  In case you haven’t heard, Gatsby did come in at number two as expected, but it did so with $50 million dollars thus astounding the experts and critics alike.  Take that Michael Bay!

I especially loved that last article by some yahoo from Yahoo which gave us not one but ten reasons why Gatsby was in world of hurt at the box office and destined to fail. So instead of just being wrong, that particular writer, Thelma Adams, was wrong in ten different ways.

And now you know why I stay away from Yahoo.  Until I did my google search, I was surprised to find out they still had writers, let alone internet traffic.

But those I presented to you are only a few of a whole boat
load of wrongness out there for you to devour because both you and I knew better didn’t we?  Do a search for predictions regarding Gatsby that were made before this weekend, and they are all pretty much the same. I don't know why but I get the feeling there are a lot of people out there that just don't get Baz Luhrmann. Or don't like him. Or both.  

Not me. I love
Baz Luhrmann films because you know you're going to get hit right between the eyes with some different, something imaginative, and usually something unexpected. The first Luhrmanm film I saw in a theater was Moulin Rouge. I went in expecting to hate it, and came out loving it.  It’s one of my favorite musicals. 

His last film, Australia, didn't do well financially. But I liked it. My girlfriend liked it. But it was a film meant to be viewed on the biggest screen possible. Watching at home on a small screen, I can imagine one would just shrug their shoulders and move on. In the theater, it was magnificent.

If you've recently upgraded to a 60 inch screen or larger, and have some stellar surround sound equipment, get the blu-ray of Australia and try again.

I actually came close to seeing Gatsby today. I had to go into town to get a part for our evaporator (more commonly referred to around here as a swamp cooler), and gave serious thought to going. But I dallied with
my Annette article for too long this morning and got a late start so that pretty much put the kibosh on that.

Iron Man took in another $73 million here at home. Between that and it's international take of $664 million, it is only $50 million shy of a billion dollars. Like I said last week, Marvel and Disney better do what they can to keep Downey around for The Avengers with those kind of numbers.

The rest of the box office wasn't too rosy for the also rans. Michael Bay's Pain & Gain held onto the number three spot, but only with a paltry $5 million dollar take. I wonder what it's like for Bay to be at the bottom of the well looking up at Iron Man and Gatsby and being able to kiss Leonardo DiCaprio’s ass?  There’s a big difference between Michael Bay and Baz Luhrmann.  Luhrmann is the one that actually has talent.

Tyler Perry Presents Peeples managed to sneak into the number four spot, but only because  the rest of the top ten had already plundered the box office over the past month or so.  However, Perry didn’t star in nor did he direct Peeples.  And if he saw the same trailor for his film that I did, he was probably thanking his lucky stars.  I imagine having his name attached to that turkey makes him feel as bad as well, when Quentin Tarantino lent his name to awful The Man With The Iron Fists.

How bad did number’s three through eight really do?  Oz, the Great and Powerful hung around in the top ten for another week with less than a million dollars as it continues marching towards it’s DVD/Blu-ray release on June 11.  Order it from Amazon through here, and I might just make twenty or thirty cents for a big night out on the town.  Can’t beat that?

And Star Trek?  Like Ironman it made it’s debut overseas,
and raked in $31.7 million dollars in markets where the previous Abrams spectacle played well.  So far, it’s doing better than the original which is a good sign for Paramount, Abrams, and the franchise before Abrams packs up his bags and head to Disney to begin working on the Star Wars films.  Buy your Disney stock now. 

Scary Movie 5 has left the building this week, dropping off the chart and probably headed for a quick buck or two on the DVD circuit.

Not from  my wallet though.  Not in this lifetime, nor the next one.

Mud is hanging on, but when you consider it’s only on 854 screens, that’s not too bad. 
Here are the numbers:



Sunday, May 12, 2013

Remembering Annette: October 22, 1942 – April 8, 2013

When I made this post regarding the passing of Annette Funicello, I promised I would have more to write regarding her life and my own personal feelings about it.  It took me a lot longer than I thought to write this, because I decided to write up a review of one of her films to post with it, something I couldn’t do for Roger Ebert.  I’ll be posting that review later.

Some celebrity deaths sadden me more than others.  That was the case with Roger Ebert.  When Annette Funicello passed away just four days after Ebert, it was the second celebrity death within a week that deeply saddened me.

Annette hadn’t made a feature film since 1986, but yet I felt as if she had never left us.  She made many appearances as herself, on news shows and talk shows in the years that followed in an effort to bring awareness to the disease that inflicted her and was slowly disabling her.  That disease was Multiple Scleros
is. 

I kind of felt a kinship to her.  I was once diagnosed as possibly having that MS.  It’s a diagnoses that has never been actually confirmed, or refuted.  And that’s the problem with MS.  It’s not easily detected in its initial stages, and much of the time it is extremely difficult to pinpoint.  Those who have the disease often go years without realizing they have it because the severity of MS is inconsistent.  Annette’s bout with M.S. was one of a worst case scenario.

But that’s not the only reason her death affected me more than say Jonathan Winters who also passed away recently.  If you were a child in the fifties and sixties, and a teen in the mid sixties to the early seventies, you grew up with Annette.

The Mickey Mouse Club is one of my earliest and strongest television memories.  I can even remember my sisters trying to convince me to give it up on certain days so that they could watch the Gold Cup Matinee late afternoon movie on one of the other two channels we were blessed with.  Most of the time they would lie to me about who was in the movie they were wanting to watch by naming every one of the super hero and cartoon characters I worshipped.    A couple of times it worked, but I soon caught on to the game and then it didn’t.  I wasn’t a complete dunce, even at five and six years old.

The Mouse Club eventually disappeared, was rerun a couple of times then appeared for a while on the Disney Channel when it first made it’s debut on cable.  The show may have become dated, but I never have outgrown it.   When the Disney Channel became just another one of 500 commercial channels in the vast cable wasteland, that was the end of not only the original Mouse Club, but many of the other catalogue films from Disney’s vast TV Library sent to the vault to probably suffer a slow death from indifference.  No room for a classic Disney channel, but we do get Disney XD, Tune Disney, and Disney Jr.  Whooppee!   

There was a reason why Annette’s star shone brighter than those of the other Mousketeers who were all talented in their own way.  What attracted you to Annette was this aura of friendliness that made you just flat out like her.  She was the original Italian Santa Claus.  She was just brimming with wholesome goodness.

You may have never met her, but you just knew there wasn’t a mean bone in this girl’s body.  Annette was the gal you wanted to be your sister instead of the ones you got stuck with.  No offense to my siblings, but that’s just the way it was.

She was super photogenic, and could act, but she was  often better than the material she was given to work with.  She was good in Spin and Marty, but in her own serial Annette, she and the whole cast were hampered by a really crappy script.  I’m not talking about the storyline either.  That worked.  But those poor kids were saddled with some of the weeniest stilted dialogue ever forced upon anybody, let alone teenagers of any decade.  Uncle Walt should have known better. 


But when you’re a kid, you didn’t care about that stuff.  Probably not even the acting.  I mean, this was Annette, and she had her own serial, and that’s all that mattered.


When she guest starred on Make Room For Daddy (aka The Danny Thomas Show) as Gina Minelli and on Zorro as Anita Campillo, you made an extra effort to seek those shows out just because it was Annette.  In Make Room For Daddy, it was her first real attempt at straight comedy, and she did it beautifully.  Likewise, she was able to slightly extend her dramatic legs in her appearances on Zorro which she appeared in twice as two different characters.  When she did The Horsemasters for World  of Disney, you watched it and watched it again when they would rerun it.



I never was a big fan of the Beach Party Movies.   I guess I just expected more from my movies then what those offered.  But since they were a big part of Annette’s career, I revisited Beach Party and will offer up my take on that sooner rather than later.  Probably the worst thing about the Beach Party films, is that they put the nail in the coffin of the younger actors involved of ever being given a chance to do more theatrically.  Which is quite a shame.

I just recently caught up with  Fireball 500 and Thunder Alley.  Both were better films than the Beach Party movies, and given the chance, Annette was able to prove that she could handle a dramatic role.  But by that time, nobody was paying attention, wholesomeness was a thing of the past,  and after havin made bookoo bucks for American International Pictures, Annette was cast aside.   She was relegated from that point on to mostly guest star roles on TV series.  She deserved better.

I watched her do a rare dramatic story on The Love Boat recently, a show that was known more for it’s comedy then drama.  It reminded  me of the fact that she was a lot more talented actress than some were willing to give her credit for.  I don’t know if she minded that fact.  If Annette did, she never appeared to, but you would have to ask those who actually knew her.  Actress Shelley Fabares, who met Annette while doing a small part in her Mouse Club serial, remained her lifelong friend, and says Annette was the real deal.

I do know one thing, choosy mothers may have chosen Jif, but Annette used Skippy and that was good enough for most of us.

But her sense of humor about herself was always apparent.  She never shied away from poking fun at her image or herself.  She had fun with it when she did an episode of Growing Pains in which she played an overzealous Goody Two-shoes Uptight Repressed Teacher.  After that, both Frankie and Annette returned to the big screen to star in and co-produce the film Back to the Beach, a very under-appreciate, misunderstood satirical film that was much better than it was given credit for at the time and has now become a cult classic. 

Somebody uploaded it to YouTube, so it’s there now (as of 5-12-2013) but undoubtedly not for long which is why I don’t link to it.  I linked to the Zorro video up against my better judgment and you can find the rest of the episode on YouTube as well.  It would be well worth your time to hurry and seek out Back to the Beach along with the Zorro episode and any others you can find.  Other than that, it’s $9.99 to buy the instant viewing at Amazon (you own it unless or until the license is revoked), or you pay a fortune for the now out of print disc.  I chose the 9.99 option.

But the Annette/Frankie comeback was short lived.  It was during the filming of Back to the Beach and while doing a follow up tour with Frankie Avalon that she was diagnosed with M.S.  Three years later she would go public with the disease in an attempt to bring more awareness to MS and to help raise funds through the Annette Funicello Research Funds For Neurological Diseases.  So on top of all her other attributes, you can add bravery to the list.

Maybe I’m too old and cynical, but I doubt if today’s young audiences would ever understand the allure of someone like Annette Funicello.  I can think of no 21st Century equivalent that connects to their audience on a personal level or has a relationship with their fans in the same way. 

Many of the things Annette did early in her career are getting harder to find.  Much of the fault of that lies with the Disney Studios and current ownership, who are sticklers for copyright adherence while at the same time leaving many of their catalog titles in the vault they claim to be so fond of to waste away since there doesn’t seem to be enough profit in these films and shows for them to bother with any longer.   If you can’t mass market them to today’s kids, why market them at all is the new Disney philosophy.

I was hoping they would be part of their deal with Netflix, but that hasn’t happened either.   But that’s a topic for later discussion and I’ll leave it  for now except that it would be a crime if the early works of an icon such as Annette Funicello are left to wither on the vine.

I hope someday those who didn’t grow up with Mickey Mouse Club or saw her in the Beach Films, will take the time to understand who she was, and why she had such a lasting impact on so many of us who grew up in that era.   I only wish I could revisit her early work myself at some point, but I’m not getting any younger and when you get to be my age, you’re not in a demographic that really matters to corporate suits.

Disney placed an obituary for Annette up on this page in which they list her accomplishments.  Maybe now would be the time to do something more than just pay her lip service.  Release her World of Disney films from your library, donate the proceeds to the charity she left behind would be a start.  And yes, Merlin Jones, Shaggy Dog, and Monkey’s Uncle are all readily available, but all have also been given shabby DVD treatment as has become par for the course when it comes to Disney and their catalog titles.

The video below is a a look at Annette through the years in film and television, along with a few publicity shots and a few personal pictures.    About 95 per cent of the stills come from my own personal DVD collection, the rest come from the web.  It runs about nine minutes, but I hope you’ll watch and if perhaps get a small sampling of who she was and what she gave to so many.  The world was a better place with Annette Funicello, but it is a sadder place without her.
(Best viewed at full screen)